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20. Backstreet Boys –
Everybody (Backstreet’s Back)
(**) The first
lyric is, "Oh my God, we’re back again." That about covers it. "Everybody"
is the Backstreet Boys’ "Thriller," complete with deranged claw dance.
The fun starts as the Backstreet Boys’ bus breaks down (BUS: Too much
talent.
Must abort.) and they end up staying at a creepy castle while their ghetto
bus driver disappears. ("Yeah, I’m just going to go back out to the
bus..."
Cue squealing tires.) As the castle gets creepier, one of the boys turns
into a werewolf, another into a phantom, one into a hideously scarred
beast,
one into a mummy and the last one turns into a Spice Girl. Oops. I see
the premise behind this video… everyone thinks we’re a bunch of talentless
pretty boys. So let’s disfigure our faces and rip off some ‘30s horror
movies. I’ll admit it, though – as far as this kind of shit goes, it’s
the top of its genre. It’s well photograped, well staged, well
choreographed
and well oiled (the male chests anyway). --AH
(*1/2) If that
bus driver had any sense of civic responsibility, he would have left them
to die at that old mansion. This would be the Backstreet Boys’ Magnum
Opus,
obviously, because it has their name in the title of the song. It’s kind
of like Pink Floyd’s The Wall, with all the talent and integrity removed
from it. Also, notice that the old and ugly Backstreet Boy is the one who
has to wear the metal plate over his face. How fair is that? I know no
better way to put it except to say that this video sucks. It gets an extra
half star because it’s not the choreographer’s fault his work was
cheapened.
--JW
19. Marilyn Manson – The
Dope Show
(*) Damn, Marilyn
Manson has some nice tits. Too bad they’re plastic. I guess he’s softened
up some in the last two years, but he’s still just too pseudo-freaky for
me. You know he watches the TGIF lineup when no one’s around. But when
the camera’s on, he has to be creepy, cryptic and cheesy. To anyone
reading
this in the future – no, this isn’t the music everyone thought was cool
in 1998. Don’t judge us by our MTV countdowns. --AH
(**) Oh, I get
it Marilyn, you want to be David Bowie. You want it so bad, and you know
it’s not going to happen. The androgyny, the homosexuality, the gyrations,
it’s all reminiscent of glam rock, but without the appeal. Not even an
entire roomful of Marilyn Manson dummies can make one David. Try again.
--JW
18. Barenaked Ladies –
One Week
(***1/2) The lead
singer from Harvey Danger went and joined another band. Or was this just
a good year for geeks? I had a good year, anyway. Another garish McG
masterpiece,
this is an ode to late ‘70s TV, Evil Kneaval and the chambers of medieval
queens. Three cultural references anyone can appreciate.
--AH
(***) This album
was my one impulse buy last year. I bought it on the basis of this song,
and actually ended up liking the rest of the album a lot better. Is it
possibly because MTV hit me over the head with this video every five
minutes?
Yep. Will I like it in a couple years when it’s forgotten and just happens
to pop up? Yep. The "Dukes of Hazzard" car, references to dirty thoughts
about "Sailor Moon" and a female Evil Kneaval jumping over the band. ‘Nuff
said. --JW
17. Madonna – Ray of
Light
(**) I’ve been
a Madonna fan through the ages (until Evita, anyway) so I find it hard
to competely abandon her now, especially when it’s cool to like her again.
I think that’s what’s wrong with her, though. She’s growing up; she’d
probably
have a few gray hairs by now if she wasn’t dying it a different color
every
week. But she thinks she’s 20, wearing a jean jacket with nothing
underneath
and trusting that the post-production will take care of those stretch
marks
on her stomach. The video itself has a manic energy to it. There are
plenty
of quick-moving objects, Madonna not the least of them, and it looks good.
It’s just sad that she has to reinterpret herself for 13-year-olds every
few years. Pick an image and go with it. About the only constant is that
you can still see her nipples through the shirt. --AH
(**) Madonna’s
very own "Day in the Life". When you watch her shamelessly gyrate,
you can almost see the frustrated 20 year old stuck in a 40 year old body
frantically clawing to get out. I think this is supposed to be a day in
a sorority chick’s life, seeing as how it ends in a dance club and all.
They should show her the next day waking up in some strange guy’s room
with a massive hangover. In fast-forward, of course.
--JW
RANDOM JEREMY
COMMENT:
Oh my God, Madonna has become Alanis and Alanis has become Madonna!
I wish I had mood hair like Madonna – Happy = Yellow, Deep = Black, Horny
= Shock White.
16. Will Smith – Just the
Two of Us
(*1/2) You know
you’re not completely hip anymore when this video comes on and you ask
a roomful of people whatever happened to "Parents Just Don’t Understand"?
Even pop rap’s Golden Boy has his embarrassing moments, but at least you
can dance to the faster ones. This is one of those emotional "It’s so cool
being a father" numbers that’s better left to private performances at
family
gatherings. All the while, there are pictures of other celebrities and
their children, mugging to the camera and shaving a few more hours from
their community service sentences. --AH
(**) Oh great,
now not only is Will Smith a lucky bastard, he’s also a good single
parent.
I mean, I’m glad he loves his kid, but does he really need to prove he’s
a good father this way? They need to forget all of this caring and sharing
rap and get back to wholesome anthems of irresponsibility, like "Knock
My Bitch Up" and "The Kid Ain’t Mine (You Can’t Prove Nothin)."
--JW
15. Korn – Got the
Life
(**) Here’s
another
band that figured out you can go platinum if you write one catchy song
and make a McG video to go with it. This is standard
white-boy-with-dreadlocks,
shout-rap with a few appalled authority figures thrown in for good
measure.
--AH
(*1/2) What’s
up with all the metal and punk bands trying to be Master P this year? This
is another great example of a song I like being cheapened by a really
gaudy
video. So, let me get this straight: they stole JD’s cars from "Money
Ain’t
a Thing" and decided to go joyriding in them? Won’t he get broke enough
on his own? The song is great, the album is decent, but this video needs
to be deep-sixed. --JW
14. Jay-Z – Can I Get
a…?
(**) A what? A
brain? A bank account? A job? A pair of size 14 shoes? You gotta help me
out here, Jay-Z. While this isn’t as embarrassing as "Hard Knock Life,"
it’s from the Rush Hour soundtrack so it doesn’t have much credibility
where I’m concerned. And at least there’s another random pecs-and-headband
rapper distracts from Jay-Z’s mealy-mouthed verbal tripping.
--AH
(*) Can you get
a rap, rap Jay-Z? No, I’m pretty sure you can’t. The best thing about this
cheap advertisement for Rush Hour is the cameo by Sean Penn, and how sad
is that? Can you get a job, job, Jay-Z? You’re going to need it in about
a year when your career flops and the welfare runs out. Sorry, but you
made it personal with "Hard Knock Life." You can’t rap; get a clue!
--JW
13. Lauryn Hill – Doo Wop
(That Thing)
(***1/2)
Everyone’s
picking the Lauryn Hill album as the best of 1998, and I’d be inclined
to agree, if every song didn’t start with "Yo yo yo uh huh uh huh yeah
yeah check it out." The video, a classy split-screen effort that puts
Semisonic
to shame, shows a Diana Ross made-over Lauryn singing the song’s lyrics
while a current-day, dreadlocked Lauryn does the rapped lyrics. Since the
singing and rapping overlap throughout the song, it’s interesting to see
them both done separately in the song. The party’s equally cool on both
sides, but I’d sooner go to the 1966 party. Less people who’d want to kick
my ass at that one. --AH
(**1/2)
Apparently
the contention here is that black women used to have class in the ‘60s,
but not anymore. It’s a dumb concept anyway, because we all know Lauryn
Hill would have spent the ‘60s begging for chance in Port Au Prince, not
partying in New York. I bet you "That Thing" is the raft she didn’t want
to cross the Caribbean on. That said, it’s a catchy song, and at leat half
the video is decent. Literally. --JW
12. Green Day – Time of
Your Life (Good Riddance)
(***) Proving
they’re only too willing to sell out, Green Day eschews their punk roots
in favor of this ballad that actually includes a string section. Yesterday
all his troubles seemed so far away… The video is just a bunch of forlorn
people looking around and I can rag on it, but I like this song enough
to give it the thumbs-up. You know you’ve arrived when your song pops up
in the last episode of "Seinfeld." --AH
(**1/2) Everybody
has a friend like Billy Joe. He’s fun to be around, he eats all the food
in your fridge and you know he’ll be living with his mom until he’s 40.
I guess Billy got lucky, especially considering he apparently only knows
two chords. It’s got a good melody though, and my adventurous roommate
can learn to play it in under two minutes, and stoned to boot.
--JW
11. Pras f/Ol’ Dirty
Bastard
and Mya – Ghetto Supastar
(***) It’s
usually
not a good omen when Warren Beatty shows up at the beginning of a rap
video
wearing a suit. It is a good sign, however, when he turns into one of the
Fugees. Of course, when that happens, they usher him away from the stage.
Let’s be honest, that’s what exactly would happen in real life. Pras
Beatty
ends up performing in front of an audience, but I end up watching Mya
dance
in front of those red, white and blue globe lights. Great look, good
video.
--AH
(***) I have to
admit, I like this song. Even during its overkill in the summer, I liked
this song. I think I may be turning into some kind of Fugees solo artist
fan. Oh my God, Warren Beatty is really Pras? Well, I never did see them
both together, and it would explain the death of Warren’s acting career
so he could concentrate on rap. Of course, this video could just be good
because it activated that pleasure center of my brain called "catchy pop
tunes of the 80s." Either way, you can’t help snappin’ to it.
--JW
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